The first is the RAW image, followed by the one with Auto white balance applied. ![]() Sample areas that you know should be white-ish, grey or black. To fix the white balance you can use the eyedropper tool. I prefer to have less orange in the skin tone. Straight from the camera, the image looks a bit too warm to me. I like to start with fixing the white balance. ![]() This happens even if you used the flash setting for the white balance. Usually the skin is going to be a bit too orange in the image straight from the camera. I also adjust the white balance to ensure my subject’s skin colour is natural. The basic editing I start out with is correcting or setting the dynamic range of the image. This way that the viewer can engage with the model. You may also note that this is a classic low key setup, so shadows and black should be rather deep.įinally, as in all portraits, the eyes need to pop but not look fake. This works particularly well in this image, thanks to the subject’s hairdo. To do this, I used rim light as the separation light. I was showing the role of separation light. When I took this portrait, I was using a classic two light setup. What is the final use of the image and what aspects do you want to emphasise? What was the lighting scheme and why did you chose it? Before You Beginīefore starting the editing, it is best to look at your image and try to remember how you shot it. The three main sections of the ACR interface. ![]() This is where you can export, save your editing and open your image in Photoshop. It has a tool bar, an editing settings section and an image control section. Your Photoshop retouching will start with ACR when working on raw images. This is an automatic process you can’t avoid. When you open a RAW file with Photoshop, Adobe Camera RAW (ACR) opens in a new window. The test portrait for this article is a simple one. This is often the most difficult thing to get right when it comes to Photoshop. I chose this portrait because it is almost there straight from the camera. The key to enhancing this portrait is in the details.
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